Second Kiss Street
2023, 45x45x3.cm, concrete, ticket, stones, debris, soil
Towards a Lower Sky
2023, dimensions variable, crashed car parts, copper pipes, gas, metal, wood, bronze, concrete, ceramic, weeds, pigeon feathers, robotic lights, jesmonite, screen bracket, lighter, beer cans, digital prints
Towards a lower sky presents a gaze across the urban surface that is caressed by the bottom of our cars. A tubular network with sewer lids wires the gallery floor. The pipelines draw the drainage map of Mexico City, displaying the veins of the urban body. A horizon is formed by scanned images of shoe soles. With the installation, Red Sandoval plays with urban geomorphologies, reflecting on the symbolic and material dynamics between the layers of a metropolitan underworld.
As a starting point, Red Sandoval took the narrow space between the bottom of our cars and the pavement that covers the depths of our sewage systems. In the exhibition, the underside of the cars become the atmosphere or the sky, while below, the gallery floor is wired with a tubular network.
Through the whole network gas is distributed and leads to a set of sewer lids made of different materials, with highly textured and anthropomorphic motifs. The gas itself comes from a pipeline that is directly connected to the gallery´s gas infrastructure, pointing at the mundane, yet hidden processes of extraction, production and distribution of fluids. Towards a lower sky converts the underworld into a fertile ground where things breathe and emerge from.
The intimacy of fumes
2023 , 210x50x25cm, aluminum, exhaust pipe, oil can, stone and cash
Exhibition:
Stroll, Strucked, Stuck
2021, dimensions variable, maquette of a political exhibition, car mat, car jack, shoe, epoxy, jesmonite, bricks, chain , anti climbing device.
Hill peek (taking pieces of a walk for a run)
2021, 190 x 110 x 30cm, dirt, clay, jesmonite, metal, electric plugs, water plugs, wire, digital print on alubond
Thrilled
2021, 200 x 90 x 120cm, tripod, branch aluminium, wood, drill bits, digital print on alubond, jesmonite, pigeon
NOOOOO!
2021, 200 x 90 x 120cm, digital print on mdf (Kate Fahey’s artworks bottom left and right)
GUT FEELING
Exhibition View
Pupils
2021, 500x35x100cm, broken fence, aluminium, digital print on aluminium, burned soda can, rusted chain with shells, seed, wood, jesmonite and bubble gum with death flies
Trespass (Antena)
2022 , 140x70x60cm, motor, metal, concrete, wood, bamboo, broken glass bottle, drill bit, chain, house keys
Trespass (billboard)
2021, 200x70x48cm stainless steel, wine bottle, bamboo, drill bit, wood, locks and chain
Trespass (double glass)
2021, 200x70x48cm stainless steel, bamboo, drill bit, wood, chain, rope, lock and digital print
Low-Fidelity
2019, dimensions variable, debris, touch screens, ropes, snack wraps
Soft bones hard skin
2018, dimensions variable, touch screens, cables, computer fans, computer chair, denim pant’s back pocket, digital prints on canvas, metal
touch screens touch each other
Loopholes
2017, dimensions variable, mixed media installation
Signals
2017, dimensions variable, antena cutouts, metal, rocks
Floor
2017, dimensions variable, floor pieces, digital prints, wood, iron wire, metal
Satellite
2015, meteorites mixed with jesmonite, screen bracket, dust, metal rod, dimensions variable
Eye
2015, dimensions variable, metal plate, digital print
Desert
2015, 600 x 300 cm, digital prints on A4